often found cruising around on music for dreams, bonnie & klein sidle up to is it balearic? with the appropriately smooth sounds of 1983. taking the concept of island boogie to a blissed-out, peak ideal, 1983 answers the record label question with a resounding yes this is as balearic as it gets. shaking up the sundown sweetness of the original, ron basejam is on hand deliver a remix that should get plenty of dancefloors working hard. it s still steeped in vintage sounds, but basejams version piles on the funk and rides a fierce disco beat to ensure the record lands in legions of record bags, as it quite rightly should.

deep techno longplayer on two 12inch vinyls

tape release! digital metal by oc. no real guitars have been used. logic vintage strat & acoustic guitar only. music by oc. ad. voc. by jc

the most famous song from egyptian singer om kalsoum and a milestone in arabic music history back on vinyl, housed in a vintage cover.

arab poetry and music in perfect symbiosis - the 1972 somng from egyptian singer om kalsoum and composer mohamed abdel wahab back on vinyl, housed in a vintage sleeve.

italoconnection. italo legend federico di bonaventura aka fred ventura with sound specialist paolo gozzetti. after years of collaborations, remixes and productions comes the first real album from this duo. following voyage, this hit squad are linking up with a spread of extraordinary talent for an album that explores a cityscape of variety. from the avenues of synth pop and plazas of space disco, the boulevards of italo to new wave skyscrapers: metropoli. the beautiful tones of francesca gastaldi feature prominently on this brand new album, tones which marry perfectly with addictive synthlines. of course, mr ventura is at the lp s core, an artist who continues to define italo disco with his unmistakable presence, style and voice. lyrical partnerships are pivotal across the eleven tracks. old friends and new have come together, meeting against a backdrop of radiant keys, clean-shaven beats and deep pads. alessandra contini of il genio, martin blix of italove and italo godfather francesco rago (of lectric workers, decadance, expansives, and wanexa fame) all lend their unique attitudes, experiences and voices for some incredibly special music. italoconnection s most daring and dynamic release to date, metropoli is the summary of all fred ventura and paolo gozzetti experiences. it is their electronic music manifesto, a manifesto with an european vision, a sound journey with an unknown destination. an album that will open vistas and visions of italo past, present and future, music of vintage class with a modern and cosmopolitan allure: metropoli.

tunnelvisions third original outing since 2018’s the celestial ritual and 2017’s midnight voyage. channel tropico offers 6 tracks that show the diverse sound from the dutch producers duo. a must have for fans of percussive sounds and the analog vintage synthwork.

vintage synth pop goodness

3 vintage live shows from soul legend otis redding for the first time on vinyl.

the library vultures return with volume 4 of their mischievous archive-music cut ups. keeping up with the commodore reworks a 1980s australian tv jingle encouraging us to embrace the incredible spread-sheeting powers of the new commodore 64. on the flip whatever happened to the hippies? layers vintage counter culture documentary footage and a chunky beck / fatboy beat, over an instrumental sit com cue that wouldn t sound out of place in the background of cheers.

master of synthesis fabio monesi joins craigie knowes for a crazily varied 12inch. vintage pads, electronic basslines, 4x4 patterns, broken beats, italo, electro, techno, house, whatever it is it is excellent.

high quality pressing in vintage silk screen sleeve.

high quality pressing in vintage silk screen sleeve.

high quality pressing in vintage silk screen sleeve.

12 vintage hip-hop classics from the 80s & 90s on 180 gram vinyl.

* seasoned shogun duo technimatic are proud to celebrate 10 years working together with the release of their 3rd studio lp ‘through the hours’. born of time spent behind the boards, on the decks and travelling the world honing their craft, this is their most profound work to date. their first single ‘sometimes’, ‘goodbye kiss’ and ‘all our yesterdays’ are loaded with floor filling nostalgia while the tempo changes of ‘recurring dream’ and stand out ‘resolution’ are thrilling explorations away from the pair’s trademark liquid sound. technimatic fans will rejoice at the sight of previous collaborators appearing. jono mccleery’s devastating ability shines on ‘the nightfall’, while ‘weightless’ ft lucy kitchen is vintage, sublime drum and bass. matt wilson also joins the project as ‘holding on’ finds its feet firmly on the dance floor revealing a fresh side to their production skills. just looking at the three vocal tracks highlights the passage of time in the technimatic sound, seamlessly manoeuvring from classic to current. the grit and swagger of ‘true believer’ matched with the hypnotic lull of ‘let it fall’ give the album a conscious edge to satisfy all tastes. ‘through the hours’ moves harmoniously through sonic timelines appealing to both new and old school heads simultaneously. lastly and most importantly, the music is fantastic. the technimatic sound is as rustic as it is contemporary and after some time away, it’s clearly well worth the wait.

welcome to the deeper end of the hugh mane spectrum.

official mr bongo reissue of a vintage highlife classic from 3 true giants of the sound.

repress - welcome to the fourth chapter of the elaste series! in this compilation i am progressing a style i am inaugurating: vintage futurism. the best metaphor for this genre is charanjit singhs 1982 album ten ragas to a disco beat in which he created a sound which mirrors, but more importantly pre dates, the first acid house record by five years. it is no novelty record, but truly capturing the hypnotic potential of acid/house music. it became my key track for elaste volume 4

science city ist das zweite album des dream-pop-duos parekh & singh aus kalkutta und setzt dort an, wo ihr debütalbum ocean 2016 aufhörte. parekhs großartige vocals erheben sich über vintage-synths und singhs fröhlich-experimentelle percussion und erzeugen den frischesten und verträumtesten pop des universums. der himmlische soundtrack eines neuen indischen traums.

the fourth release from london-based label eya continues to shape out an intriguing identity that nods to classic techno tropes while charging ahead with their own agenda. label boss jos -planet eya- sets a lively pace with its forthright drum machine jack offset by warm synth licks. evil knebel matches the tempo and weaves in a cosmic set of tones, which poten then cosigns with the equally trippy, propulsive -intransigence-. jos is back at the helm for closing track -purify-, which strikes a darker tone without losing that raw, vintage techno flavour that makes this label one to watch.

on this third release, deviant disco keeps on digging up lesser known gems of various origins and delivers a hot batch of four brand new edits. the french label sticks to its peculiar aesthetics and welcomes you once again to an enthralling musical trip — starting with tchamy patterson’s groovy & percussive afrobeat only to spiral into barnes and ygalove s hypnotic the mongol raid slow-mo trance edit, and steering from la decadanse s tropical and sensual rework of yves simon vintage hit amazoniaque all the way down to eric vincent s obscure 80s french erotica.

andrea solitario aka andrew soul with vintage chicago sound

support from rene lavice, spectrasoul, dj marky, ltj bukem, nu:tone, doc scott and loads more.

after metropolitan jazz affair, the dynamics and mr president, master of musical ubiquity bruno ?patchworks? hovart proudly presents uptown funk empire, a burning tribute to one of his all time greatest loves: funk. bruno ?patchworks? hovart, as a self-taught musician and typical teenager, started playling guitar, bass and keyboards at age 15, covering james brown, jimi hendrix and cream in his bedroom and, later in college bands. his first releases are in the mid 90s, with deep house and disco live bands and various electronic projects. he quickly develops and shows very special skills for vintage disco/funk productions with a contemporary flavor. this gifted boy?s been working with artists such as amp fiddler, archie shepp, mr day, paul randolph... and for many recording labels such as i still music (usa), favorite recordings (france), infracom (germany), further out (uk)... uptown funk empire is an exciting and ambitious project, worthy of its name. while the first album is simply called ?the empire strikes back?, it?s no joke... forget the whole revival thing, this sounds like an actual rebirth of the real funky stuff. it?s like being back to the better days of funk without a travel machine... the vibe is vintage but the sound is fresh...that?s not funky music, that?s funky music !
this album is huge and it covers all the golden age groove styles : boogaloo, soul, disco, boogie, funk... but the music flows in the hands of a gifted modern producer. bruno ? patchworks? hovart plays bass, keyboards, computers... handling with love all composition, programming, arrangements, vocals... with brilliant vocal featurings by silky juan rozoff, brit-soul legend noel mc koy at his best, high-voltage divas ange & janice... and the funkysoul brother bruno ?patchworks? hovart himself on the mic... it?s pure funkiness ! beware, ?the empire strikes back? and is kicking... so get up & dance !

phonk d is back!

deep vintage soul sounds

vintage house music on visions recordings... high class

vintage hardcore styles on new myor label faces of bass

a uk dub classic from 2000 back on double vinyl!

electric and vintage synths to create deep layers of analog goodness.

dancefloor soundscapes

limited edition of the overnight bag, sexual liberty drawn and printed on 100% organic cotton, 150g and following to our alaingoraguer vinyl release. designed by erwann terrier, the beautiful tote showcases in his usually cute and “close to the skin” the complete drawings all explicit exercises of the record booklet. a must-have for this season. you will shove everything you like in this bag with discreet pattern and welcoming hips. if you are as we are sensitive to the charm of this enchanted parenthesis of vintage porn, celebrating a festive sexuality, then you will certainly like to carry this along in fine style. 150g organic cotton, tote bag. limited edition.

funky synth and vintage drum machines

vintage electro/acid

ltd repress! by now, chicago s home of the ghetto house movement, dance mania, should need no introduction! if you didn t already know, they are the original purveyors of that hard-ass, stripped back, tough, hitting electronic funk, they ve never held back with their output. operating since the late 80 s the label has gained legions of fans over 2 decades as well as a certain notoriety and one of their most well-known artists has got to be the legendary dj deeon and his various production pseudonyms! this, the second in a series of samplers focusses on some of his unreleased cuts, rarities and classics from the dm catalogue. kicking things off with the demented over-sexed jacking off of da dik suk this ep shows you what s up from the jump. lifted off 1996 s freak like me ep this is vintage deeon to the core! this is followed up with the minimal, acidic runnings of 1112 , from deeon s 1996 chop shop release, a wigged out, simplistic groove that just won t stop. classic chicago weirdness that simply just slams. the frenetic phenomenon opens up side b, produced under his mute pseudonym and originally released in 1997 this is a sure-fire rarity from the dm vaults. a tough one to track down and a real essential under the radar cut. also featured is the wild acid of playground productionz the box , here in unreleased (!) rare remixed form by another chi-town legend - paul johnson. top shelf business. last but certainly not least is another playground jammer in the form of the killer vertigo lifted off the same ep from 1994 which is surely enough to whet even the toughest of appetites. file under jackin . every track on here has been remastered and repressed with the full consent and involvement of dj deeon and parris mitchell, selected and programmed from deeon s private archives and dat tapes for above board, london. 100% hater free.

a collection of unreleased music from an undisclosed source going by the codename of „abstract tune“, possibly produced around the early 90’s, was recently acquired through a fortuitous dat discovery in an italian vintage market by alpha 2000’s retrieval team.

after his two 7inch releases on star creature, ourra drops an 8 track lp full of lush soundscapes composed of vintage synths and thematic astro vibes. this is true to the modern funk style and movement-a mix of futuristic spaced out deep house and vintaga analog balaeric boogie grooves.

die neue “soul togetherness 2018” enthält 15 modern-soul-highlights des jahres, die teils erstmals auf tonträger erscheinen. darunter sind grandiose songs von cornell c.c. carter, kenny thomas, jaki graham, john reid und james day (in teils exklusiven extended versions), die rückkehr von change und the richie family, die beiden künstler brian courtney wilson und lexi von motowns neuem gospel-label, dance-grooves der newcomer the apx und imaa, vintage-soul von ernest ernie & the sincerities, soul-garage-hymnen von dj spen und prefix one, sowie der fabelhafte mousse t feat. peven everett.

well, this is different… fourth kind the self titled mini album on omniverse records. it’s hard to pinpoint a genre with records like this, produced by marc mac of 4hero and similar to some of the 4hero output, it defies genre and fits somewhere in-between many. the production is heavily reliant on synthesisers and vintage drum machines in places but is full of real life and organic movements, this is partly down to the signature drums played by luke parkhouse. the only other guest spot is filled by nu jazz funker pascal strauss aka luman child who plays bass guitar on “take me to your sky” which along with “afterglows” are the closest we get to dance tracks, in most parts a 70s fusion feel is present. the short interlude type tracks are just as important and i would go as far as to say vital to telling the story. moogs, arps and solina strings weave patterns throughout, all in all, across the 10 tracks the album is a journey of mood and emotions. 180g pressing.

“hulled” is a 25 minute journey spread across 4 tracks of glacial abandon. all tracks were recorded directly to tape with no overdubs, made at converse’s home studio. bill says these tracks represent “ocean waves in stormy conditions, dark grey blue water, or more generally speaking something ominous and beautiful.” the songs on this album reveal a sublime influence from detroit techno, idm, and acid. built around vintage synthesizer lines and gritty drum machine percussion, the tracks ebb and flow like the effect of sun shimmering on water, woozy, gauzy and ephemeral. all songs were mastered for vinyl by george horn at fantasy studios in berkeley. each ep is housed in a die-cute jacket designed by eloise leigh with peachy pink patterns landing on an alien water planet and seeing mysterious playing forms under the turquoise water. and the. each copy includes a postcard featuring photo of bill with notes.

soul dynamite pull no punches with the follow-up to their first release and go straight for the jugular with some vintage mr lif fire a 45 splitting mr lifs seven-and-a-half minute return of the b-boy into parts 1 and 2 one on each side. thats not quite as weird as it sounds for on lifs critically acclaimed debut full-length from 02, i, phantom, the el-p produced return of the b-boy features a fade and then a complete change of beat change for the epic third verse. the first half is dark, space-funky boom-bap while the second half is er even darker, and a bit faster, space-funky boom-bap. either side though, you’ll be able to revel in such a-grade lyrical excoriation of race relations in the states as, theyre defacing masterpieces, just to blast to pieces/ what’s dope and hope that wed accept a wacker thesis. jesus! black vinyl.

nothing more than a diary filled with sound fragments that reveal a soundtrack for a surreal story. the emerald ep is a journey lived by a time traveler through eerie ambientscapes, started from the vintage sci-fi frenzy from the late 50s’ immortalized on side a with romeo poirier’s dysfunctional robotic bleeps, continued with boris hegenbart & david moss’ distorted broadcast tape and ended in christopher james chaplin’s atmosphere created by an analog choir.

after more than a decade of deep, expansive productions on labels such as detroit underground and cpu, annie hall arrives on musar for a record typically rich in texture and understated grooves. indebted to vintage electro and idm, halls music is no throwback, always looking forward and moving dancefloors in the most unexpected ways.

this single is very special for visions recordings as we see a fresh collaboration between alex attias and luman child, two swiss artists reunited for the first time.alex proposed luman child a collaboration after listening to his music. then they met and talked about music , visions, influences, method of work and decided straight away to work together without knowing each other well and pushing them outside their comfort zone. they are both very happy with the resultjalex attias has been in the music for many years producing, remixing many great artists and djing all over the world. at the moment alex is about to release a compilation on bbe records ( lillygood party !) , plus a couple of remixes are on the way and he s also preparing other singles for his label visions .luman child produced in 2017 a killer first album with german label solid ground still available on a neo soul hip hop tip. he reached number 11 in the uk soul charts. as a musician and bass player luman child had a few collaborations with ferry ultra, gogo music and marc mac 4 hero.the project they present here is very organic soulful and musical. this single hold two killer tunes for the listener and the dancers.the a side is a 125 bpm disco jazz funk killer jam with live bass, fender rhodes and vintage keyboards sounds driven by a very funky drum beat and live basseline aimed to the dancefloor and good time party people keeping a smile on your face. its simply groovy and goes on and on for 10 minutes of pure disco pleasure.the b side is a funky number boogie jazz funk inspired by mr ayers vibes and sounds . the rhythm is groovy at 120 bpm and the moog bassline is round and fat. accompanied both track by fender rhodes and dope keyboards sounds, this one will definitely find place in dj boxes for those who play and love soulful music with an open mind. groovy , warm and soulful at his best.

the first in a series of all-time classic hip-hop anthems from the nervous vaults, pressed onto high quality dinked 45s. remastered from the original source material and featuring the unedited dirty version on the a-side, and the full instrumental on the b-side, these 45s are for the heads who know what time it really is! black moon s who got the props needs no introduction, its place in hip-hop history is fully solidified. the combination of vintage beatminerz sp1200 beats paired with the legendary mcs buckshot and the 5 ft. accelerator s streetwise nyc raps is a heady mixture indeed. often speaking of street life in new york in the 1990 s, black moon gained cult status via their 1993 debut lp enta da stage , one of the most celebrated hip-hop debut albums of all time. the beatminerz production changed the game, their deep knowledge and understanding of samples, records and digging in the crates gave their sound a real style and edge. who got da props is the perfect example of this, one of those timeless rap records that appeals to the hardcore and can ignite the party. truly essential. every home should have one (or 2!). fully legit, licensed and reissued by above board distribution in conjunction with nervous records, nyc. 2018.

mrr: michael raymond russell / a connoisseur/collector of vintage drums/analog equipment and engineer/producer inspired by 1960’s/70’s underground music. mrr has been producing heavy drum break production inspired by psychedelic rock to heavy funk to electronic library records for more than 20 years. started from a sampler collecting vinyl to now creating a library record label drumetrics with production recorded on vintage equipment from vacuum tube equalizers/valve compressors/tape machines/tape echoes etc. paying back homage to sampled music for producers to utilize.

raised on the best of popular and underground dance music of the 70s and 80s, partner has created an outlet to pay homage to the finest hooks and loops from around the world, seamlessly repurposing them for the dancefloor. first up, a-side track patu launches headfirst into an off-kilter bollywood infused dancefloor curveball punchy drums, melodic vocals and vintage instrumentation, save your weirdest shapes for this one. on the flip, my people gives an injection of latin heat triumphant, horns and an unrelenting rhythms section throw this into full carnival spirit. just in time for the summer. since relocating to london from brighton, things have been taking shape for partner music. last year saw a debut festival slot at dimensions festival, plus a handful of great support from the likes ofmount kimbie, dan shake and san proper. with some exciting releases lined up throughout 2018, its looking like a promising year for the budding producer. with this release high praise continue to build their status as a label to keep an eye on, with their party series and clothing line steadily growing in popularity.

donna is back again!!! acid, breakbeats, vintage drum machines and og warehouse rave vibes! those who know, will know.